Skip to main content

Review: Dave Grohl's SXSW Keynote Address


On March 14, 2013, the illustrious Dave Grohl, of Nirvana and Foo Fighters fame, gave the Keynote Address at the South By Southwest music and culture festival in Austin, Texas. Though the bespectacled (“Got these at a drugstore 'cause I'm going blind. Hope I still look like a rock star.”) Grohl's speech hit on both the high and low points on his path to rock superstardom, his career anecdotes were simply the backdrop for Grohl's thesis, which he aimed directly at musicians everywhere: “Find your own voice.”

sxsw, south by southwest, south by southwest festival, south by southwest austin, south by southwest 2013, south by southwest film festival, south x southwest, south by southwest lineup, sxsw schedule, sxsw lineup, austin south by southwest, south by southwest eco
South by Southwest
It was an inspirational sentiment, especially coming from someone many consider to be a father of modern-day rock n' roll, the founder of grunge, and a perennial figure in current music culture. “Now, more than ever, independence as a musician has been blessed by the advance of technology,” Grohl said, repeatedly tucking stray locks of dark hair behind his ear. “Any inspired young musician [can] start their own band, write their own song, record their own record, book their own shows, write and publish their own fanzine. You can do this, it can be all yours.”

Grohl even entertained the audience, picking up an acoustic guitar and demonstrating how, as a 12 year-old kid teaching himself to play on an old Sears Silvertone, he had figured out how to multitrack by bouncing cassette tapes between two recorders, laying down a guitar track first and then beating out a simple rhythm with his hands to accompany the three chord progression. The Austin crowd loved this, cheering and laughing at what must have seemed like a mind-numbingly elementary exercise for the 12-time Grammy winning artist. However, as comical as it may have been, Grohl was using the small performance to make a point about the importance of independence in music.

“I had finally found my voice. And that was all I needed to survive from now on. The reward of playing a song from beginning to end without making a mistake...well, that could feed me for weeks. I liked my new voice. Because, no matter how bad it sounded...it was mine. There was nobody there to tell me what was right or what was wrong, so...there was no right or wrong.”

This theme of a musician's independence pervaded Grohl's address, as he continued with stories about growing up in the D.C. punk scene and witnessing the “the blissful removal of these bands from any source of conventional, popular corporate structure, and the underground network that supported the music's independence that was totally inspiring to me,” and of playing with Nirvana, of practicing for hours on end in a barn in Seattle, and of their subsequent rise to international success. “Up until that point no one had ever told me how to play or what to play,” Grohl said, smiling as he leaned in close to the podium's microphone. “And now, no one ever would.”

And though Grohl's success, he admits, has afforded him the luxury to be uncompromising, his speech at South By Southwest was less a rebellion against corporate censorship (jabs against Christina Aguilera, The Voice, and Pitchfork aside) and more a call for musicians to realize the power of their own creativity and to remember why they fell in love with music in the first place. “There was no career opportunity. There was no hall of fame,” he said, recalling when he first began playing in bands as a teenager. “There were no trophies. There was no A&R credit card buying Benihana dinners. Our reward was knowing that we had done all of this all on our own, and that it was real.”

By the end of the speech, Grohl's sincerity and candor had removed the glow and awe that surrounds every rockstar; he was simply a man who loved music and had discovered that, for the true musician, one's voice can be heard in every chord and every beat and every lyric, through the shine of million-dollar recording studios or on Radio Shack tape recorders.

“There is no right or wrong. There is only your voice. Your voice screaming through an old Neve 8028 recording console, your voice singing from a laptop, your voice echoing from a street corner, a cello, a turntable, a guitar, serrato, a studer, It doesn't matter. What matters most is that it's your voice. Cherish it. Respect it. Nurture it. Challenge it. Stretch it and scream until it's fucking gone. Because every human being is blessed with at least that, and who knows how long it will last...”

Comments

  1. Not the biggest fan of Grohl's music, but I love when he speaks about music and the industry.

    ReplyDelete

Post a Comment

Popular posts from this blog

Hi-Z vs. Lo-Z – Impedance, DI Boxes, Preamps, and Mic Level v. Line Level

What is Hi-Z vs. Lo-Z?  What do people mean when they talk about “Mic Level”, “Line Level”, and “Impedance”? First, let’s look at Mic Level sources.  These are considered to be either at Hi-Z or Lo-Z : Hi-Z – High Impedance, High Voltage, Low Current Keywords : Guitars, Basses, Instruments; Short Cable Runs, Better Sustain, More Interference. Most of us will come to associate Hi-Z impedance equipment with things like guitars, basses, and 1/4” connector plugs.  Inside of a Hi-Z cable, there are only two conductors: a “positive” and a ground.   Since there is no negative cable (such as in a Lo-Z cable) to balance the positive cable, both capacitance and reactance suffer with increasingly longer cables.  In layman’s terms, this means your sound loses quality and gets noisier once your cable exceeds roughly 15’ – 20’.  (Ever wonder why it’s hard to find guitar cables longer than 20’?  Now you know why!) Fun Fact : Vacuum tube circuits have na...

Marshall 1960A 4x12 Guitar Cab Mic Placement / Positioning

How should you mic up your 1960A rig at your next show or recording project? The short answer: Experiment with many different mics, mic positions, and even mic preamps before settling on a "best" sound.  There is really no "right" answer since music is so subjective, and there may be multiple solutions for different situations.  Make sure you know what speaker sounds best in your cab, and make sure you know where an SM57 sounds best, too, since that's what the average sound tech is going to throw on there. The long answer: Most of us know that placing mics in various positions around a speaker cabinet will yield different sounds.  Part of this has to do with each speaker sounding a little different (even if they're the same make and model), mic height from the ground producing various colorations due to differences in reflection time, and what kind of room you are in.  In particular, though, there are three (3) main placement factors that will affect ...

Fostex 3070 Compressor/Limiter Review

One of my close buddies picked up a Fostex 3070 Compressor/Limiter today for $50.00 off of a Craigslist deal and promptly handed it over to me for inspection and testing.  To be honest, my experience with analog compressors is fairly limited; I have used EL Distressors in the past but beyond that, my knowledge is quite limited.  I know what "should" work in theory and what settings might be good for certain genres of music, but I really had no idea what to expect here. After a cursory inspection of the unit, which revealed it was manufactured in 1982, I read the manual ( available online here ) cover to cover.  I realized a few things right off the bat -- this is a VCA stereo compressor, it comes with an included noise gate, and side-chaining is completely possible.  The rest of the manual is surprisingly helpful... there's really no fluff here like with most modern manuals that are filled with useless garbage. The next step was to grab a few TRS patch cables a...